Zombies: How to Survive the Apocalypse The continuing threat of a zombie apocalypse requires heightened awareness and preparation in order to survive. There is a need for the availability of public health resources and survival techniques. In addition to public resources, individuals will have to take the initiative to be aware and solarigniters.com Size: KB. knowledge necessary for survival against these subhuman beasts. Survival is the key word to remember-not victory, not conquest, just survival. This hook will not teach you to become a professional zombie hunter. Anyone wishing to devote their life to such a profes- sion must seek training elsewhere. This book was not written for the.
Scouts Guide to the Zombie Apocalypse. An impending zombie attack is no laughing matter. In fact, there is a plethora of interesting books and helpful films to allow you survive a zombie apocalypse and provide you with zombie facts. The CDC lists the following as vital:. Rifles or shotguns tend to be the weapons of choice, but knives, axes, machetes, shovels, and baseball bats are also effective though they usually involve getting too close for comfort to the zombies.
Also, make sure to locate your closest hospital, gas station, grocery stores, bank, and other buildings of importance, and make a list of emergency contacts. But the number one rule? Know every exit out of your hometown and the quickest way to get there. Oh, and have a map in hand. Image Source: Blogspot. Push any furniture and heavy objects in the pathway of doors and windows. Also, aim for higher ground since zombies have trouble climbing.
And always be careful of open windows. Getting in some cardio and strength training workouts will help how to connect printer to ipad 3 do just that. Endurance is key. But it never hurts to remember your first aid basics. If decapitation is impossible, aim to dismember them, crippling them enough to give yourself time to escape.
At the same time, slow and not-so-bright buddies will make for perfect zombie bait—and give you a better chance to escape unharmed. Image Source: information2share. And, of course, if you get infected, expect your friends to return the favor. Finally, in order to be extra prepared and gain some serious zombie knowledge, check out these videos below:. By All That's Interesting.
Knowing how to survive a zombie apocalypse is no laughing matter. These facts will give you everything you need to stay alive. Share Tweet Email. Remove Ads. All That's Interesting. All That's Interesting is a Brooklyn-based digital publisher that seeks out the stories to illuminate the past, present, and future.
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Table of Contents
clockwork in the Zombie apocalypse space alone matrix. Everyone in the Zombie apocalypse space alone matrix loves and practices falsehood; which is absence of truth or accuracy in a communication. In the Zombie apocalypse space alone matrix nobody is ever right and everybody is wrong; all the time. The power of Cable TV. a zombie apocalypse. and by-the-book, and everything looks to be in order here, sir, and—ok, ok, here’s the CDC’s “Zombie Survival Guide Scanner Diagnosis: 16% Infected. Initial signs of infection present. Consult a medical professional immediately and present. In addition to convincing the reader of the value of ethical reasoning within the context of a zombie apocalypse, the book will provide the reader with the tools necessary to identify, evaluate, and apply different approaches toward moral decision making in a world overrun by the undead. III.
This mode of presentation, however, can limit the appeal of the book to the audience it hopes to reach non-philosophers. The proposed book changes the mode of philosophical presentation by mashing-up two genres: the introductory Ethics primer and the zombie survival guide a particular sub-genre in horror writing which share many structural similarities notwithstanding the differences in content.
This will, I believe, attract a much larger audience to the book than would a traditional mode of philosophical presentation e. My approach builds upon what makes zombie horror or science fiction more generally intellectually engaging as well as what makes Ethics most accessible, viz. The lack of familiar context frees us of our prejudices and allows us to reconsider these problems anew. Although my approach may seem an unorthodox way of introducing people to ethical theory, it builds upon approaches already proven to be engaging and effective in expanding the audience for philosophical thinking.
Greene and K. Mohammad eds. In her example, you awake with your circulatory system connected to a famous violinist who is unconscious and suffering from a life-threatening kidney ailment. You were connected while asleep and without your knowledge by the Society for Music Lovers and must stay connected for nine months if the violinist is to recover. After nine months, both you and the violinist can go your separate ways.
Are you morally obligated to stay connected to the violinist for nine months? This example is meant to parallel the situation where a woman becomes pregnant due to rape. Full Description and Comparable Books When philosophers use pop culture to reach a broader audience, the pop cultural content is usually presented through a standard philosophical essay.
Publishers like Blackwell and Open Court have Philosophy and Pop Culture series which together include more than anthologies of philosophical essays on pop cultural topics. Undoubtedly, these anthologies have succeeded in growing the audience for Philosophy beyond the academy and those that already have an interest in philosophical thinking.
At the same time, however, these anthologies typically do not adopt the genre conventions of the pop cultural themes they discuss, which can limit their appeal to the audiences they hope to reach. For example, Wayne Yeuen ed. Even though the theme of the book will certainly attract some zombie horror fans who are not primarily interested in the philosophical content, the reach of a book like this will necessarily be limited by the traditional mode of philosophical presentation.
Although the essay anthology is the most common way of popularizing philosophical ideas, there are other approaches that rely on different modes of presentation. I will offer three examples: 1 David Edmonds and John Eidinow have written a number of books that use a mixture of journalism, intellectual history, and humor to popularize philosophical ideas and the people who had them.
This book introduces the reader to various theories of international relations by applying them to the specter of a zombie outbreak. Unlike the other books that use fictional themes e. The proposed book shares some things in common with the last two approaches while still being distinct from both. Although the focus is Ethics rather than International Relations, the book explains the theory through the specter of a zombie outbreak.
Blackwell has its own analogue: Christopher Robichaud ed. Reason Blackwell, Princeton, There are a surprising number of structural similarities between these two sub-genres. Ethics primers typically contain some general discussion of metaethical questions that set the foundation for the presentation of different ethical theories. For example, whether there are objective moral values is a question that belongs to metaethics, while what these values are assuming there are such values is a question that belongs to ethical theory.
Some of these ethical theories e. For each ethical theory, the author presents some objections as well as how these objections can be overcome. Finally, some time is dedicated to discussing how these theories apply to particular social issues e.
Zombie survival guides have a similar structure. Typically, a general discussion of the nature of zombies parallel to metaethics sets the foundation for the presentation of a number of different tactics for surviving a zombie outbreak parallel to ethical theories. Most of these tactics are presented in terms of rule-governed procedures to follow under certain circumstances.
Finally, some time is dedicated to case studies where various tactics are discussed within the context of field reports basically short zombie horror stories. Utilizing the structure and genre conventions of a zombie survival guide will help to insure that the book is actually accessed by a much broader audience than your standard Philosophy and Pop Culture anthology.
Whereas Grahame-Smith weds no pun intended the genre conventions of an Austin novel along with the content of Pride and Prejudice with the genre conventions of zombie horror, the proposed book combines the genre conventions of the Philosophy primer along with the content of an introductory Ethics text with the genre conventions of zombie horror. In addition to convincing the reader of the value of ethical reasoning within the context of a zombie apocalypse, the book will provide the reader with the tools necessary to identify, evaluate, and apply different approaches toward moral decision making in a world overrun by the undead.
Chapter Outline Preface I explain the structure of the book, my reasons for writing it, as well as some of the possible ways of using the book in a pedagogical setting. Introduction The introduction is written from the fictional perspective of the author of the book. He is a former Philosophy professor who is well-provisioned and protected from a zombie horde, but is nonetheless trapped with little hope of rescue.
He has lost everyone he ever knew and, to take his mind from the ever growing moans that surround him, has written this book in the hope that it will find an audience after his un death. The point is to convince others that moral reasoning is still valuable in a world from which it seems almost entirely absent. Survivors recognize that the greatest thing they have to fear from the apocalypse is not the zombies but themselves.
The introduction lays out the general structure of the book and explains how it can be used to help the reader not merely survive but flourish among the undead. This chapter focuses on this metaethical question and answers it from both the moral anti-realist no objective moral values and realist at least one objective moral value perspectives.
The chapter begins by discussing the anti-realist views since these are most often implicitly endorsed within the zombie horror subgenre. Much of zombie horror endorses a form of moral subjectivism where moral rightness is defined simply in terms of individual self-interest. Even if moral value is not relative to the beliefs of individual survivors, perhaps it is relative to groups of survivors that share common sets of beliefs cultural relativism.
The second field exercise examines these consequences through the moral code of a culture for which the outbreak brings fear, systematic discrimination, and ultimately destruction. After dismissing moral subjectivism and cultural relativism, I examine some other popular anti-realist theories that a survivor might be tempted to endorse including divine command theory, non-cognitivism, and moral nihilism. All of these can easily be illustrated through the lens of zombie horror.
The final part of the chapter deals with two major moral realist views: moral intuitionism and moral naturalism. I explain how some version of moral realism has to be endorsed in order to motivate what follows in the guidebook.
The final field exercise illustrates moral naturalism by explaining how survival itself can be viewed as an objective moral value within the context of a zombie apocalypse. Chapter Two: Escaping the State of Zombies When zombie horror or post-apocalyptic fiction more generally has a moral realist foundation, contractarianism is the ethical theory most commonly built upon this foundation.
The land of the undead is typically portrayed as a Hobbesian state of nature where all instruments of external political authority police, military, etc.
Social contract theory provides an escape from the state of nature and a way of recapturing the benefits of social living. Under this view, morality consists of a set of rules that rational people will accept on the condition that other rational people accept them as well.
Government such as it is among pockets of survivors is there to enforce these rules and to prevent free-riding i. The zombie horror genre has many examples of individuals coming together to form groups under implicit and sometimes explicit social contracts with mechanisms put in place to enforce these contracts.
The story follows two individuals who have contained a ravenous zombie horde in a room behind two opposing doors which when open block the hallway. If you block the hallway with your door, you can escape, but the other person will be devoured and vice-versa. They have the choice of either releasing their door to escape, or holding the door closed in hope of eventual rescue.
If both release their respective doors, both will be devoured. Given the alternative to social living in a land of the undead, the advantages of contractarianism are substantial, but the disadvantages are equally significant.
For example, there is nothing in principle wrong with enslaving survivors outside your society or being sadistic toward them — a situation all too common in zombie horror.
Using concrete examples from the zombie apocalypse, this chapter illustrates key deontological concepts including maxims, duties, and rights as well as important deontological distinctions such as moral vs. If your maxim were a universal law, no one would believe you and so the gatekeeper of the stronghold would not grant you refuge which was the whole purpose of acting on the maxim in the first place.
When it comes to the humanity formulation, lying about your bite to the gatekeeper to gain access to the stronghold treats the gatekeeper, who is an end in herself rational agent , as if she were a mere means irrational zombie.
You are depriving the gatekeeper, who as a rational being is capable of consenting to your plan, as if she did not have that capacity. Although the maxim can take on the form of a hypothetical imperative, it cannot command categorically. Unlike the living, it seems though we will revisit this issue in Chapter Seven we have no direct duties to the undead and they have no rights.
Even if zombies are mere means, this does not mean that we should feel free to do whatever we like to zombies. Kant would say that torturing the undead harms the agent doing the torture. Just as Kant thinks that you have a perfect duty i. This chapter examines this latter duty through the prism of a classic zombie horror scenario: the final bullet. If you are about to be devoured by zombies and have only one bullet left in your gun and no other way to defend yourself from them, would it be morally permissible for you use that last bullet on yourself?
Whereas zombie horror consistently suggests that suicide under such circumstances is morally permissible if not morally obligatory! Although the above maxim seems predicated on self-love i. Here, I believe Kant would appeal to his distinction between perfect and imperfect duties.
Although the duties of justice never to use oneself or others merely as a means are perfect, duties of beneficence are imperfect and admit of exceptions both for inclinations as well as for conflicting perfect duties. Even if you have an obligation not to kill your living but infected self , however, others may well have a duty to destroy your undead self since it would be a constant threat to the autonomy of others.
Assuming Kant is able to defend his contrarian view on the above final bullet scenarios, he faces a more difficult task when perfect duties conflict with one another. The field exercise for this chapter considers a final bullet scenario where a man has promised his spouse that he will do everything in his power to protect them, but having been bitten while defending their home, the only way of discharging this promise is through suicide.